IN A CERTAIN LIGHT
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There are objects that do not announce themselves.
They sit quietly, withholding something until the conditions are right—until the light shifts, or the room settles, or you return to them a second time.
This began as a way of noticing that.
Not collecting in the traditional sense, but gathering—pieces that seemed to change depending on where they were placed, or when they were seen. Some became sharper in the morning. Others dissolved into shadow by late afternoon. A few only held their weight at the edge of evening.
A FEW DETAILS FROM THE COLLECTION
Our Art Deco cocktail bar cabinet exemplifies the ingenuity and elegance of 1920s furniture design, combining compact form with clever mechanical function. A double-lid construction opens while lifting the interior caddy, revealing organized compartments designed to accommodate bottles and glasses.
This pair of Maison Baguès wall sconces reflects the house’s signature blend of sculptural ornament and luminous detail. Perched parrots emerge from mirrored backplates, their forms lending movement and theatricality to the composition.
Our heavyweight linen bedcover embodies the quiet luxury of European textile tradition, designed to fall generously to the floor with a substantial, grounding weight. Crafted in an upholstery-weight fabric featuring a classic toile print, the piece balances visual narrative with material presence, allowing pattern and texture to work in concert
Our first edition Picasso monograph by Wilhelm Boeck and Jaime Sabartés, published by Harry N. Abrams in 1955 contains 606 illustrations, including full-page color plates and extensive black-and-white imagery, and features a cover design created by Picasso specifically for this edition.
ABOUT THiS COLLECTION
Some objects carry a quiet kind of life.
The object does not move.
The light does.
Morning reveals the edge.
Noon flattens the surface.
Evening returns the shadow.
They are not changed,
so much as revealed
in a certain light.
Designed in 1995 for Fondica, this table lamp exemplifies Georges Mathias’s sculptural approach to lighting design. Cast in gilt bronze, the branching biomorphic form reflects the late-20th-century interest in organic abstraction within the decorative arts.
The textured bronze surface activates as it interacts with light, while the symmetrically curved arms and pleated Empire shades reference classical balance and historical lighting traditions. The work demonstrates Mathias’s ability to merge expressive form with functional refinement, positioning the lamp between sculpture and utility.
Produced by Fondica, the lamp reflects the sculptural lighting vocabulary associated with late-20th-century French decorative design.
Size: 18"W x 8"D x 21"H
Materials: cast gilt bronze; Empire shades
Date: 1995
Designer: Georges Mathias
Manufacturer: Fondica
Origin: France
Notes: branching biomorphic form; textured bronze surface; late-20th-century French sculptural lighting design
This English George III mirror reflects the balance of structure and ornament characteristic of late 18th-century design. The walnut frame provides a warm, grounded surface, while gilt detailing introduces contrast and highlights the carved elements. The original mirror glass carries the subtle irregularities of age, softening reflection and diffusing light across the surface. Both architectural and atmospheric, the piece functions as a reflective plane that holds light while gently altering it.
-Materials: walnut frame, gilt detailing, original mirror glass
-Provenance: George III period, late 18th century
-Made in: England
-Notes: original glass with age-appropriate spotting and variation; wear to gilt and wood consistent with period; patina contributes to softened reflection
An Italian sculptural console defined by its carved swan supports, where form and function are held in quiet balance.
The interplay between carved detail and smooth surface gives the piece a dual presence, reading as both furnishing and object. Symmetrical yet expressive.
Ideal for entryway or console placement, the piece offers a defined silhouette and a strong visual anchor within a space.
Size: 52”W x 34”H x 15”D
Materials: marble top; carved wood
Provenance: mid–20th century
Made in: Italy
Notes: swan motifs reference classical symbolism; marble surface exhibits natural veining and variation consistent with stone
This heavyweight linen bedcover embodies the quiet luxury of European textile tradition, designed to fall generously to the floor with a substantial, grounding weight. Crafted in an upholstery-weight fabric featuring a classic toile print, the piece balances visual narrative with material presence, allowing pattern and texture to work in concert. Its refined drape and durable construction reflect a thoughtful approach to both comfort and decorative impact, resulting in a bedcover that feels timeless, elegant, and richly layered.
Size: Oversized bedcover is perfect for King & Queen Size
Materials: upholstery-weight linen with toile print
Provenance: European textile tradition
Made in: USA
Notes: designed with a generous drape to reach the floor; toile pattern adds historic decorative reference while maintaining functional durability; dry clean only.
This pair of Maison Baguès wall sconces captures the theatrical elegance of French decorative lighting, where sculptural form and reflective materials work in harmony. Each sconce features a perched parrot rendered in metal and glass, its mirrored backing amplifying light while emphasizing the dramatic silhouette of the composition. Emerging from the ornamental framework, the candle arms extend outward with graceful movement, evoking the playful natural motifs and refined craftsmanship long associated with the Parisian lighting house. The result is a pair of fixtures that function as both illumination and sculptural wall ornament.
-Size: approx. 15” x 11” x 5”
-Materials: metal, mirrored glass
-Provenance: mid-20th century, Art Deco influence
-Made in: France
-Notes: figural parrot motif; mirrored backplate enhances light reflection; Maison Baguès is a renowned French lighting atelier producing decorative fixtures since the 19th century.
This 19th-century French silk panel reflects the period’s attention to surface and material, where textile and frame operate in close dialogue. The silk introduces a soft, luminous ground, absorbing light and revealing subtle variation across the woven surface. The gilt frame provides contrast, catching light along its edges and defining the panel as a contained composition.
Size:
Materials: silk panel, gilt wood frame
Provenance: 19th century
Made in: France
Notes: wear to silk and frame consistent with age; variation in tone and surface contributes to overall depth and character
A sculptural Italian mirror defined by its exaggerated Rococo silhouette and flowing ornamental form.
Produced in Italy in the mid-20th century, the frame reflects a period of decorative reinterpretation, where classical motifs were translated into lighter, more expressive materials. The surface carries a subtle variation in tone, emphasizing depth across the carved forms and lending the piece a sense of movement.
Rather than functioning solely as a reflective surface, the mirror reads as a wall-mounted object — its presence shaped as much by outline and shadow as by reflection.
Ideal for entryway, bedroom, or above-console placement, the piece introduces a strong vertical gesture within a space.
Size: approx. 26" x 45"
Materials: Molded composite frame with a sculptural, hand-finished surface.
Provenance: 1960s
Made in: Italy
Notes: expressive, sculptural frame with fluid contouring; lightweight construction typical of vintage molded fiberglass; surface variation consistent with age and production method.
This 19th-century French pewter hourglass embodies restrained form and material clarity. Its balanced silhouette and softened pewter surface reflect the quiet precision of utilitarian design, where proportion and craftsmanship take precedence over ornament. The aged metal lends subtle depth and presence, allowing the object to function as both a timekeeping instrument and a sculptural accent.
Size: approx.
Materials: pewter, glass
Provenance: 19th century
Made in: France
Notes: natural patina consistent with age; clean, architectural profile suited to layered or minimal interiors.
Inspired by classical Grecian architecture, this sculptural bowl reinterprets ancient form through a contemporary lens. Its elevated, legged design lends the piece a striking sense of movement and presence, allowing it to function as both a functional vessel and an architectural centerpiece. Hand-carved from natural stone, the bowl celebrates material variation and artisanal craftsmanship, ensuring that each example is singular in character and surface.
Size: 14inDia x 4.5inH
Materials: hand-carved natural onyx stone
Provenance: contemporary design inspired by classical forms
Made in: USA
Notes: natural stone exhibits inherent color and veining variations; care instructions: wipe clean with a dry dust cloth.
he gilded frames introduce a contrasting edge, catching light and containing each work as a distinct plane. Their reflective quality reinforces the paintings as objects, balancing the softer, more diffused handling of the painted surface. With provenance tied to the Brokaw family of Hotel Bristol in South Dakota, the pair carries a continuity. Presented together, the works read as a cohesive study, with variation in tone and gesture creating a quiet dialogue between the two compositions.
Size:
Materials: oil on canvas, gilded wood frames
Provenance: Brokaw family, Hotel Bristol, South Dakota
Made in:
Notes: wear to frames and surfaces consistent with age; variation in gilding and paint contributes to overall depth and character
This pair of Italian giltwood shelves features carved putti supporting shell-shaped platforms. The composition balances sculptural movement with functional form, while the gilt surface adds warmth and depth. The figures and shell motif create a quiet sense of ornament within a compact architectural profile.
Size: approx.
Materials: wood with gilt finish
Provenance:
Made in: Italy
Notes: putti supports with shell-form shelves; gilt finish with age-consistent patina.
This 18th-century French four-panel screen presents a balanced interplay of form and surface, with hand-painted decoration on both sides. The folding structure allows for flexibility in placement, while the painted panels offer a shifting visual presence depending on orientation. Its restrained construction and aged surface highlight the quiet elegance of functional decorative objects. Size: approx. (provide exact dimensions)
Size:
Materials: painted canvas, wood, metal hinges
Provenance: 18th century
Made in: France
Notes: double-sided painted panels; folding construction; age-consistent wear and patina.
This vintage Italian chair combines refined carved detailing with a poised architectural presence, its sculptural frame articulating both decorative and structural elements. The carved wood evokes the rich tradition of Italian furniture craftsmanship, where articulated surface and form were central to design expression. Upholstered for comfort and accented with a nickel finish, the chair balances historic influence with a tailored aesthetic, making it a distinctive seating piece for interiors that value both heritage and subtle refinement.
Size: 40.5"H x 20" seat height x20" seat depth x 26.5" arm height x 24.5"W
Materials: nickel finish, wood + upholstery
Provenance: vintage
Made in: n/a
Notes:
This landscape painting is defined by its layered composition and restrained palette, where shifts in tone and brushwork establish depth across the surface. The application of paint moves between areas of opacity and exposure, allowing light to register unevenly and giving the scene a softened, atmospheric quality. The antique wood frame provides a grounded contrast, its patina and surface variation reinforcing the painting as a contained object. Together, image and frame operate as a unified composition, where material and mark-making hold equal weight.
Size:
Materials: oil on board wood frame
Provenance: 19th Century
Made in: USA
Notes: wear to frame and painting consistent with age; surface variation and minor irregularities contribute to overall depth and character
This Art Deco cocktail bar cabinet exemplifies the ingenuity and elegance of 1920s furniture design, combining compact form with clever mechanical function. A double-lid construction opens while lifting the interior caddy, revealing organized compartments designed to accommodate bottles and glasses. Crafted from walnut and mahogany, the cabinet is further distinguished by an inlaid marquetry medallion on the front, a decorative flourish that underscores the period’s emphasis on craftsmanship and visual refinement. Restored to a satiny finish, the piece remains in excellent condition, offering both historical character and functional appeal.
-Size: 15inD x 23inW (closed); 44inW (open)
-Materials: walnut and mahogany with marquetry inlay
-Provenance: 1920s, Art Deco period
-Made in: United States
-Notes: double-lid mechanism lifts interior caddy; compartments designed for bottles and glasses; -professionally restored with a satiny wax finish.
This pair of 19th-century Venetian candelabras reflects the ornate craftsmanship and decorative richness associated with Venetian design. Their sculptural forms balance movement and symmetry, while the surface treatment enhances light and shadow across the composition. Both functional and ornamental, the pair offers a refined presence within traditional or layered interiors.
Size: approx.
Materials: original gilt
Provenance: 19th century
Made in: Venice, Italy
Notes: pair of candelabras; surface patina consistent with age; minor variations characteristic of handcrafted pieces.
This pair of oil on board paintings reflects a studied approach to composition and surface, where gesture and layering define the visual field. Presented together, the pair reads as a cohesive study in variation, where differences in mark-making and tone create a quiet dialogue between the two works.
Size:
Materials: oil on board
Provenance:
Signed: yes
Notes: minor surface wear consistent with age; variations in brushwork and tone are inherent to the medium
This French Louis XV writing desk reflects the period’s emphasis on fluidity and ornament, with a hand-carved structure defined by curved lines and integrated decorative detail. The surface provides a controlled plane against the carved base, allowing the interplay between ornament and proportion to remain balanced. Carving is used not as applied decoration, but as an extension of the form itself, reinforcing the desk’s sculptural quality.
Size:
Materials: hand-carved wood
Provenance: 18th century, Louis XV period
Made in: France
Notes: wear consistent with age and use; surface variation and patina contribute to the depth of the carving and overall character
This late 19th-century Swedish mirror reflects the restraint and clarity characteristic of Scandinavian design, where proportion and material take precedence over ornament. The carved wood frame is understated, allowing the surface and patina to define the piece’s presence. The glass shows the gentle irregularities of age, softening reflection and diffusing light rather than returning it with sharp clarity. Both functional and atmospheric, the mirror operates as a quiet architectural element within a space, holding light while subtly altering it.
Size:
Materials: carved wood frame; original glass (with one small mark in mirror)
Provenance: 1880s, late 19th century
Made in: Sweden
Notes: age-appropriate wear; light spotting and variation to glass consistent with period; surface patina contributes to softened reflection
This suspended Rococo-style console table showcases the graceful movement and ornament associated with 18th-century design traditions. The hand-carved cabriole legs lend sculptural elegance to the form, while the faux marble top introduces a refined decorative surface protected by a custom-cut glass overlay. Designed to mount against the wall for support, the table achieves a light, architectural presence that allows its curving silhouette to stand out. The piece offers both visual drama and functional versatility, making it particularly suited for entryway display.
-Size: approx.
-Materials: carved wood, faux marble painted surface, glass top
-Provenance: mid–20th century
-Made in:
-Notes: suspended design requires simple wall brace installation; faux marble top shows minor age-consistent wear; protective glass top included.
This pair of antique pedestals features faux-painted surfaces that emulate natural material through layered tonal detail. Their balanced proportions and clean architectural lines allow the finish to take focus, offering both visual depth and versatility. Designed for display, the pair functions as a quiet yet sculptural foundation for objects above.
Size: approx.
Materials: wood with faux-painted finish
Provenance:
Made in:
Notes: faux finish with age-consistent wear; minor variations add to the character of each piece.
This mohair throw offers an exercise in understated luxury, defined by its feathered texture and effortlessly refined drape. Woven in the United Kingdom from a richly blended yarn, it balances warmth with lightness, creating a tactile layer that feels both indulgent and quietly sophisticated. Its nuanced color palette and minimalist elegance evoke the intimacy of a beloved knit, reimagined as a collectible textile object designed to soften and elevate any interior.
Size: 54in x 72in
Materials: 62% mohair, 35% wool, 3% nylon
Provenance: contemporary luxury textile
Made in: United Kingdom
Notes: exceptionally soft hand with airy loft; refined tonal palette; dry clean only.
This Louis XV–style girandole lamp reflects the ornamental fluidity of Rococo design, with scrolling gilt bronze elements arranged in a balanced, sculptural composition. The branching arms extend with rhythmic movement, allowing light to interact with the reflective surface and emphasize its decorative form. In the manner of Maison Baguès, the piece blends classical influence with mid-century reinterpretation, functioning as both illumination and ornamental object.
Size:
Materials: gilt bronze
Provenance: mid–20th century (or specify if known)
Made in: France
Notes: girandole form with multiple arms; gilt surface shows age-consistent patina; in the style of Maison Baguès.
A 12-piece Mah Jong modular sofa by Roche Bobois, executed in Missoni textiles, representing one of the most recognizable and collectible seating systems of the late 20th century.
Complete Missoni compositions in this scale and condition are increasingly difficult to source on the secondary market.
Originally conceived by Hans Hopfer in 1971, the Mah Jong redefined seating through its low, modular form and emphasis on flexibility. This example, executed in collaboration with Missoni, introduces a layered interplay of color, pattern, and texture, bringing a distinct fashion sensibility to the composition.
The 12-piece configuration allows for a range of arrangements, from structured seating to more relaxed, lounge-oriented compositions. Each cushion functions as an individual element, designed to be stacked, aligned, or separated, offering both visual dynamism and practical adaptability.
As a complete set, the piece reads as both seating and sculptural installation — a system that evolves with its environment while maintaining a strong visual identity.
Ideal for residential or hospitality settings, the composition offers scale, flexibility, and a recognizable design presence within a space.
Designer: Hans Hopfer
Manufacturer: Roche Bobois
Edition: Missoni textile collaboration
Configuration: 12-piece modular composition
Materials: upholstered cushions in Missoni fabrics
Condition: excellent, no visible wear
Provenance: 2013
Made in: Italy
Notes: includes 1 corner section, 3 back sections, and 8 cushions; retains original Roche Bobois and Missoni Home tags; excellent condition with no visible wear.
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