IN A CERTAIN LIGHT
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A capsule collection of antiques documented through shifting streams of natural light as they move across the day. Rather than presenting these objects as static artifacts, the series treats light as an interpretive lens that reveals variations in patina and form; each photograph becomes a study.
Brass reflects and sharpens, linen absorbs and diffuses, gilded surfaces hold light, and worn wood settles into shadow. Each photograph examines perception as surface and atmosphere interact. Together, the collection considers the antique not as a fixed relic of the past, but as a living object continually recontextualized by its environment and the passing of time.
A FEW DETAILS FROM THE COLLECTION
Our Art Deco cocktail bar cabinet exemplifies the ingenuity and elegance of 1920s furniture design, combining compact form with clever mechanical function. A double-lid construction opens while lifting the interior caddy, revealing organized compartments designed to accommodate bottles and glasses.
This pair of Maison Baguès wall sconces reflects the house’s signature blend of sculptural ornament and luminous detail. Perched parrots emerge from mirrored backplates, their forms lending movement and theatricality to the composition.
Our heavyweight linen bedcover embodies the quiet luxury of European textile tradition, designed to fall generously to the floor with a substantial, grounding weight. Crafted in an upholstery-weight fabric featuring a classic toile print, the piece balances visual narrative with material presence, allowing pattern and texture to work in concert
Our first edition Picasso monograph by Wilhelm Boeck and Jaime Sabartés, published by Harry N. Abrams in 1955 contains 606 illustrations, including full-page color plates and extensive black-and-white imagery, and features a cover design created by Picasso specifically for this edition.
ABOUT THiS COLLECTION
Some objects carry a quiet kind of life.
The object does not move.
The light does.
Morning reveals the edge.
Noon flattens the surface.
Evening returns the shadow.
They are not changed,
so much as revealed
in a certain light.
Designed in 1995 for Fondica, this table lamp exemplifies Georges Mathias’s sculptural approach to lighting design. Cast in gilt bronze, the branching form evokes antler-like growth, reflecting a late-20th-century interest in organic abstraction within the decorative arts. The textured surface animates the metal as it interacts with light, while the symmetrically curving arms and pleated Empire shades reference classical balance and historical lighting traditions. The work demonstrates Mathias’s ability to merge biomorphic expression with functional refinement, positioning the lamp at the intersection of sculpture and utility.
Examples of this sculptural form by Georges Mathias are produced in limited quantities and are increasingly sought after.
Size:
Materials: cast gilt bronze; Empire shades
Date: 1995
Designer: Georges Mathias
Manufacturer: Fondica
Origin: France
Notes: antler-inspired biomorphic form; textured bronze surface enhances light modulation; exemplifies late-20th-century French sculptural lighting design.
An Italian sculptural console defined by its carved swan supports, where form and function are held in quiet balance.
The swans serve as both decorative and structural elements, their curved forms introducing a sense of movement while anchoring the composition. Between them, the marble top rests as a contrasting plane — cool, refined, and architectural.
The interplay between carved detail and smooth surface gives the piece a dual presence, reading as both furnishing and object. Symmetrical yet expressive, it reflects a tradition of ornamental design translated into functional form.
Ideal for entryway or console placement, the piece offers a defined silhouette and a strong visual anchor within a space.
Size:
Materials: marble top; carved wood or composite base (specify if known)
Provenance: mid–20th century
Made in: Italy
Notes: swan motifs reference classical symbolism; marble surface exhibits natural veining and variation consistent with stone
This heavyweight linen bedcover embodies the quiet luxury of European textile tradition, designed to fall generously to the floor with a substantial, grounding weight. Crafted in an upholstery-weight fabric featuring a classic toile print, the piece balances visual narrative with material presence, allowing pattern and texture to work in concert. Its refined drape and durable construction reflect a thoughtful approach to both comfort and decorative impact, resulting in a bedcover that feels timeless, elegant, and richly layered.
Size: Oversized bedcover is perfect for King & Queen Size
Materials: upholstery-weight linen with toile print
Provenance: European textile tradition
Made in: USA
Notes: designed with a generous drape to reach the floor; toile pattern adds historic decorative reference while maintaining functional durability; dry clean only.
This pair of Maison Baguès wall sconces captures the theatrical elegance of French decorative lighting, where sculptural form and reflective materials work in harmony. Each sconce features a perched parrot rendered in metal and glass, its mirrored backing amplifying light while emphasizing the dramatic silhouette of the composition. Emerging from the ornamental framework, the candle arms extend outward with graceful movement, evoking the playful natural motifs and refined craftsmanship long associated with the Parisian lighting house. The result is a pair of fixtures that function as both illumination and sculptural wall ornament.
-Size: approx. 15” x 11” x 5”
-Materials: metal, mirrored glass
-Provenance: mid-20th century, Art Deco influence
-Made in: France
-Notes: figural parrot motif; mirrored backplate enhances light reflection; Maison Baguès is a renowned French lighting atelier producing decorative fixtures since the 19th century.
A sculptural Italian mirror defined by its exaggerated Rococo silhouette and flowing ornamental form.
Produced in Italy in the mid-20th century, the frame reflects a period of decorative reinterpretation, where classical motifs were translated into lighter, more expressive materials. The surface carries a subtle variation in tone, emphasizing depth across the carved forms and lending the piece a sense of movement.
Rather than functioning solely as a reflective surface, the mirror reads as a wall-mounted object — its presence shaped as much by outline and shadow as by reflection.
Ideal for entryway, bedroom, or above-console placement, the piece introduces a strong vertical gesture within a space.
Size: approx. 26" x 45"
Materials: Molded composite frame with a sculptural, hand-finished surface.
Provenance: 1960s
Made in: Italy
Notes: expressive, sculptural frame with fluid contouring; lightweight construction typical of vintage molded fiberglass; surface variation consistent with age and production method.
This petite treasure box combines refined architectural detail with sculptural restraint, featuring horizontal ribbing, softly rounded feet, and a square lid that rests neatly atop the form. Hand-carved from solid grey Tepeaca marble, the piece highlights the stone’s natural veining and tonal variation, ensuring each example is entirely unique. Both functional and decorative, the box offers an elegant solution for holding small objects while serving as a subtle statement piece.
Size: 6inW x 6inD x 5inH
Materials: hand-carved Tepeaca marble
Provenance: contemporary artisan design
Made in: USA
Notes: includes stone box and lid; care instructions: wipe clean with a dry dust cloth.
This 19th-century French pewter hourglass embodies restrained form and material clarity. Its balanced silhouette and softened pewter surface reflect the quiet precision of utilitarian design, where proportion and craftsmanship take precedence over ornament. The aged metal lends subtle depth and presence, allowing the object to function as both a timekeeping instrument and a sculptural accent.
Size: approx.
Materials: pewter, glass
Provenance: 19th century
Made in: France
Notes: natural patina consistent with age; clean, architectural profile suited to layered or minimal interiors.
Inspired by classical Grecian architecture, this sculptural bowl reinterprets ancient form through a contemporary lens. Its elevated, legged design lends the piece a striking sense of movement and presence, allowing it to function as both a functional vessel and an architectural centerpiece. Hand-carved from natural stone, the bowl celebrates material variation and artisanal craftsmanship, ensuring that each example is singular in character and surface.
Size: 14inDia x 4.5inH
Materials: hand-carved natural onyx stone
Provenance: contemporary design inspired by classical forms
Made in: USA
Notes: natural stone exhibits inherent color and veining variations; care instructions: wipe clean with a dry dust cloth.
This pair of Italian giltwood shelves features carved putti supporting shell-shaped platforms. The composition balances sculptural movement with functional form, while the gilt surface adds warmth and depth. The figures and shell motif create a quiet sense of ornament within a compact architectural profile.
Size: approx.
Materials: wood with gilt finish
Provenance:
Made in: Italy
Notes: putti supports with shell-form shelves; gilt finish with age-consistent patina.
This 18th-century French four-panel screen presents a balanced interplay of form and surface, with hand-painted decoration on both sides. The folding structure allows for flexibility in placement, while the painted panels offer a shifting visual presence depending on orientation. Its restrained construction and aged surface highlight the quiet elegance of functional decorative objects. Size: approx. (provide exact dimensions)
Size:
Materials: painted canvas, wood, metal hinges
Provenance: 18th century
Made in: France
Notes: double-sided painted panels; folding construction; age-consistent wear and patina.
This vintage Italian chair combines refined carved detailing with a poised architectural presence, its sculptural frame articulating both decorative and structural elements. The carved wood evokes the rich tradition of Italian furniture craftsmanship, where articulated surface and form were central to design expression. Upholstered for comfort and accented with a nickel finish, the chair balances historic influence with a tailored aesthetic, making it a distinctive seating piece for interiors that value both heritage and subtle refinement.
Size: 40.5"H x 20" seat height x20" seat depth x 26.5" arm height x 24.5"W
Materials: nickel finish, wood + upholstery
Provenance: vintage
Made in: n/a
Notes:
A pair of Italian porcelain plates defined by their raised Rococo relief and gilt detailing.
The surfaces are composed in low relief, with ornament emerging from the ground rather than applied to it. This gives the plates a sculptural quality, where light and shadow define the form as much as the decoration itself.
Originally intended for display, the pair functions as wall-mounted objects or as part of a broader arrangement, holding presence through surface and depth rather than scale.
-Size: 9" diameter
-Materials: Decorated & Molded Porcelain
-Provenance: 1850-1899
-Made in: Italy
-Notes:
This Art Deco cocktail bar cabinet exemplifies the ingenuity and elegance of 1920s furniture design, combining compact form with clever mechanical function. A double-lid construction opens while lifting the interior caddy, revealing organized compartments designed to accommodate bottles and glasses. Crafted from walnut and mahogany, the cabinet is further distinguished by an inlaid marquetry medallion on the front, a decorative flourish that underscores the period’s emphasis on craftsmanship and visual refinement. Restored to a satiny finish, the piece remains in excellent condition, offering both historical character and functional appeal.
-Size: 15inD x 23inW (closed); 44inW (open)
-Materials: walnut and mahogany with marquetry inlay
-Provenance: 1920s, Art Deco period
-Made in: United States
-Notes: double-lid mechanism lifts interior caddy; compartments designed for bottles and glasses; -professionally restored with a satiny wax finish.
This pair of 19th-century Venetian candelabras reflects the ornate craftsmanship and decorative richness associated with Venetian design. Their sculptural forms balance movement and symmetry, while the surface treatment enhances light and shadow across the composition. Both functional and ornamental, the pair offers a refined presence within traditional or layered interiors.
Size: approx.
Materials: original gilt
Provenance: 19th century
Made in: Venice, Italy
Notes: pair of candelabras; surface patina consistent with age; minor variations characteristic of handcrafted pieces.
This suspended Rococo-style console table showcases the graceful movement and ornament associated with 18th-century design traditions. The hand-carved cabriole legs lend sculptural elegance to the form, while the faux marble top introduces a refined decorative surface protected by a custom-cut glass overlay. Designed to mount against the wall for support, the table achieves a light, architectural presence that allows its curving silhouette to stand out. The piece offers both visual drama and functional versatility, making it particularly suited for entryway display.
-Size: approx.
-Materials: carved wood, faux marble painted surface, glass top
-Provenance: mid–20th century
-Made in:
-Notes: suspended design requires simple wall brace installation; faux marble top shows minor age-consistent wear; protective glass top included.
This pair of antique pedestals features faux-painted surfaces that emulate natural material through layered tonal detail. Their balanced proportions and clean architectural lines allow the finish to take focus, offering both visual depth and versatility. Designed for display, the pair functions as a quiet yet sculptural foundation for objects above.
Size: approx.
Materials: wood with faux-painted finish
Provenance:
Made in:
Notes: faux finish with age-consistent wear; minor variations add to the character of each piece.
This mohair throw offers an exercise in understated luxury, defined by its feathered texture and effortlessly refined drape. Woven in the United Kingdom from a richly blended yarn, it balances warmth with lightness, creating a tactile layer that feels both indulgent and quietly sophisticated. Its nuanced color palette and minimalist elegance evoke the intimacy of a beloved knit, reimagined as a collectible textile object designed to soften and elevate any interior.
Size: 54in x 72in
Materials: 62% mohair, 35% wool, 3% nylon
Provenance: contemporary luxury textile
Made in: United Kingdom
Notes: exceptionally soft hand with airy loft; refined tonal palette; dry clean only.
This Louis XV–style girandole lamp reflects the ornamental fluidity of Rococo design, with scrolling gilt bronze elements arranged in a balanced, sculptural composition. The branching arms extend with rhythmic movement, allowing light to interact with the reflective surface and emphasize its decorative form. In the manner of Maison Baguès, the piece blends classical influence with mid-century reinterpretation, functioning as both illumination and ornamental object.
Size:
Materials: gilt bronze
Provenance: mid–20th century (or specify if known)
Made in: France
Notes: girandole form with multiple arms; gilt surface shows age-consistent patina; in the style of Maison Baguès.
A 12-piece Mah Jong modular sofa by Roche Bobois, executed in Missoni textiles, representing one of the most recognizable and collectible seating systems of the late 20th century.
Complete Missoni compositions in this scale and condition are increasingly difficult to source on the secondary market.
Originally conceived by Hans Hopfer in 1971, the Mah Jong redefined seating through its low, modular form and emphasis on flexibility. This example, executed in collaboration with Missoni, introduces a layered interplay of color, pattern, and texture, bringing a distinct fashion sensibility to the composition.
The 12-piece configuration allows for a range of arrangements, from structured seating to more relaxed, lounge-oriented compositions. Each cushion functions as an individual element, designed to be stacked, aligned, or separated, offering both visual dynamism and practical adaptability.
As a complete set, the piece reads as both seating and sculptural installation — a system that evolves with its environment while maintaining a strong visual identity.
Ideal for residential or hospitality settings, the composition offers scale, flexibility, and a recognizable design presence within a space.
Designer: Hans Hopfer
Manufacturer: Roche Bobois
Edition: Missoni textile collaboration
Configuration: 12-piece modular composition
Materials: upholstered cushions in Missoni fabrics
Condition: excellent, no visible wear
Provenance: 2013
Made in: Italy
Notes: includes 1 corner section, 3 back sections, and 8 cushions; retains original Roche Bobois and Missoni Home tags; excellent condition with no visible wear.
Explore PAST GATHERINGS
LIQUID MUSIC PRESENTS SOUTHERN BODIES
A treat to host @liquidmusicseries @northropumn for dinner in celebration of the world premiere of Southern Bodies by @kitdownesmusic @bill.frisell @spcomusicians. See more here.
REMEMBRANCE OF THINGS PRESENT
As an extension of our trend and culture experience Salonnière Paper, we created an experiential dinner with Los Angeles-based @forthecorpse that traced the visual expression of the scallop shell and its symbolism in food and life. See more here.
UP THE STAIRS, TO THE RIGHT
As an exploration of the role of decorative arts within public + private space and celebrating the antiquarian alongside the contemporary, our shoppable assortment includes collectibles contextualized alongside 19th century antiques. See more here.